Sunday, December 30, 2012

My musical wish list for 2013...

So that's 2012 almost out of the way. I don't know what musical treats 2013 will bring (apart from that new Empire of the Sun album of course) but it can't be any worse than this year.

So here is my wish list for 2013: as things stand, I can't see any of them coming true, but I can dream!

I would love to see an end to the charts and radio being dominated by the following...

1. Dubstep
2. Grime
3. Generic electronic dance music
4. Overrated (and occasionally overexposed) female artists
5. 'The New Boring'
6. R'n'B
7. Talent show winners and losers

I would also look forward to a time when international charts would be distinguishable from each other again, with 'local' artists breaking through with exciting new music, instead of the current situation where every chart is interchangeable, filled with generic international hits.  One day....

This is my last post on EuropeCrazy for 2012, so I'd like to take the opportunity to thank all my loyal friends and readers of this blog for your continued support and friendship over the past year.  I haven't always had the time (or the energy) to blog regularly, and that isn't really going to change any time soon, but I still enjoy blogging and am looking forward to taking EuropeCrazy to its 6th birthday and beyond!

Have a very happy new year everyone!

The 2012-50: No.10 - No.1

Top Ten Time!!!

10. "Sur Un Fil" - Circus. 

So, after years of success as one of France's most established artists, what did Calogero do next? Well, he went back to his band-roots and formed a new band by the name of Circus.  Their debut single, "Sur Un Fil", had bucketloads of laid-back charm and enough of the distinctive Calogero-style to appeal to old and new fans alike.  I haven't heard their album yet but will make a point of doing so!

9.  "Händerna Mot Himlen" - Petra Marklund.

The most significant and welcoming trend in Swedish music in 2012 was the increase in Swedish-language releases by artists who were previously known for their English-language output: Mando Diao and Robert Pettersson (Stiftelsen) are two good examples, but the biggest surprise of the year was the reinvention of Petra Marklund, once known as September, the floorfilling queen of dance, who reinvented herself as a more credible artist with a darker musical style, collaborating with none other than Jocke Berg from Kent. worked.  Big time.   An excellent, brooding yet anthemic track.

8. "Silver Moon" - Donkeyboy.

One of the long-awaited events of 2012 - the comeback of Donkeyboy - was threatening to disappoint me, as I didn't like "Pull of the Eye" at all.  But then along came "Silver Moon" and everything was alright in Donkeyboy-world again.  (Although, for me, "Ambitions" will always be their finest moment). "Silver Moon" is a delightful slice of pop perfection, and there was never any doubt that it would make my end-of-year chart.

7.  "The Shallow End" - Sam Sparro.

After a very long absence, Sam returned with a look which was definitely influenced by Officer Crabtree from Allo Allo (!) but most importantly, with his album "Return To Paradise" which was a cracking, Prince-influenced return to form.  Of course you knew the way it was going to go: criminally overlooked in this country, but warmly appreciated on the European continent - particularly in Belgium where "Happiness" was one of the biggest tracks of the year.  "The Shallow End" however was the standout track for me, a disco-tastic celebration which musically belongs to another time and place, and is all the better for it.

6.  "Sad" - Elton John vs PNAU.

A genuinely innovative musical surprise.  PNAU's latest adventure, in conjunction with their biggest fan Elton John, was to take something old and turn it into something new.  The resulting album was "Good Morning To The Night", a genuinely inventive musical experiment.  More than just a remix album, it spliced together some of Elton's old songs and made completely new songs out of them. While we wait for Empire of the Sun's second album (not long now, they've promised to let us hear a new song by mid-February!!) "Sad", released as a single, kept the vibe going and its unique selling point was that it doesn't sound anything like the generic rubbish which was the sound of 2012.

5. "New Age" - Marlon Roudette.

Ah, another one of those 'technicalities' which first made an appearance in 2011 but my appreciation of this song reached its height in 2012.  If you'll remember my "Great Lost European Hit" award from previous year-end charts, which recognised songs which were big "over there" but sank without trace "over here", then this for me, is this year's absolute winner of that prize.  What makes it all the more annoying is that Marlon (formerly of Mattafix) is a British artist who hasn't had the recognition he deserves in his own country.  "New Age" is a fine pop song with a great deal of warmth and likeability, and has been one of the most enduring songs of the year.  I never get tired of hearing it.

4.  "Starlite" - Christophe Willem.

Yet another song which was initially released during 2011 but which I never heard until 2012.  Based around a sample of "Ain't Nobody", Christophe sparkled his glitterball-tastic disco magic all over the song, with brilliant results.  Whilst I was on holiday in Nice, I couldn't escape it on the music channels: that sealed the deal, and a place in my year-end top 5 was guaranteed.

3.  "Caliban's Dream" - Underworld feat Alex Trimble, Evelyn Glennie, the Dockhead Choir etc etc and a cast of thousands...

This was one of those ‘where were you when you heard ........?’ moments. In this case, the pinnacle of the London 2012 opening ceremony, when the young unknown British athletes lit the cauldron at the Olympic Park, a moment that we will always remember.  A truly beautiful piece of music which absolutely reduces me to a pile of rubble every time I hear it.  Pass the Kleenex. Maybe it was just that I was feeling over-emotional around the time of the Olympics, but this song completely blew my mind and blew almost everything else released in 2012 out of the water.

2.  "Silhouettes" - Avicii featuring Salem Al Fakir.

Riding on the worldwide success of "Levels", the A-list Swedish superstar DJ can do no wrong and is in much demand.  But let's go back in time - to 2011, when this track was first leaked on the internet and worked its way onto the dancefloors as a hot pre-release dance anthem.  When it eventually got its official release in the UK back in May 2012, the song made it into the UK top 30 singles chart and was even played on British radio! 

Yes, the impossible finally happened: a song with Salem Al Fakir on vocals, being played on my local radio station!  It goes without saying that Salem's contribution really turns "Silhouettes" into a very special dance track indeed.  And even though it maybe hasn't achieved the commercial acclaim of "Levels", it's still the song which refuses to die: not a week goes by without a new remix appearing.

1. "Remedy" J-Son featuring Salem Al Fakir.

Take it to the top of the world....and to the top of my chart.  Yes, once again, Salem is back where he belongs - in the top two places of my year-end chart.  Just after the 2011-50 was published last December, this song came to my attention and, well, you know the rest.

Although Salem has taken some well-deserved time out from his solo career, (with one very important 'production' earlier this year!!) he made that all-important guest appearance on this track by rapper J-Son, with whom he also collaborated with on Eric Saade's "Rocket Science" last year.   This is an uplifting and totally joyous pop/rap song, the biggest musical feelgood factor of 2012 for me: there was never any doubt that this would top my annual chart.  And so it has.  Congratulations J-Son and Salem!  Oh, and Salem....can we have a new solo record in 2013? Please????

The 2012-50: No.20 - No.11

20. "Stay" - Tooji.

I’ll never forget seeing this on MGP for the first time - "Oh my God, it’s an Eric Saade tribute act!!"  However I thought "Stay" was so much better than "Popular".  The song (and that twirly-hand move) very quickly found its way into my affections and I even had a dream/premonition when I saw the ESC end credits roll over the song. How wrong can you be?  I still can't understand why Norway found itself at the bottom of the ESC leaderboard, when this was one of the year's best song contest entries.

19.  "Shapeshifter" - Rikke Normann.

A fresh & catchy dance song, which missed out on a place in the MGP final. Which IMHO was down to the combination of her bad styling, that dodgy end-of-song scream, and a bit too much distraction in the live performance from the geek-boys-in-braces (although you know how much I love boys in braces!). But there will always be a place for it at EuropeCrazy HQ, and this has ended up becoming one of my most played national final songs of the year.

18.  "Soldiers" - Ulrik Munther.

I hadn't checked out his music before this year's Melodifestivalen, purely because I don't really like "young" singers or those who look about 12 years old (!) so this was a very pleasant surprise.  Reminiscent of OneRepublic's "All The Right Moves", and peppered with lyrical military metaphors ("armies of one on the battlefield", you get the idea), Ulrik effortlessly breezed to Globen which made lots of teenage girls happy and left some pop bloggers feeling grumpy! "Soldiers" then spent a big chunk of late spring squatting on my iPod and refusing to leave.

17. "Hugarro" - Magni Asgeirsson.

For the second year in a row, Magni was to be denied success at Songvakeppni.  The Icelandic selection filled me with mixed feelings: on the one hand, Magni is such a compelling, passionate performer that I soooo wanted him to win but on the other hand Jonsi was there and I soooo wanted him to win too. Such is the high standard of Songvakeppni! This is a compelling Icelandic-language rock ballad.  I wonder if he'll ever take part in the Icelandic song selection again?

16.  "Amazing" - Danny Saucedo.

I'll let you into a secret: earlier in the year, this was in my top 5 songs of the year but in the long run it hasn't had the staying power that "In The Club" had.  Nevertheless, I still like it, and in any other year this could have been a potential Melodifestivalen winner, but of course 2012 wasn't just any other year.  Danny's 'sour grapes' attitude after the final was a bit of a disappointment, but that's all water under the bridge now, for the co-presenter of Melodifestivalen 2013!

15. "Some Die Young" - Laleh.

One of the remarkable things about "Så mycket bättre" has been its evolution from a TV entertainment show into a crucial career revival format which Swedish artists and record companies are now queuing up to be part of. If 2010 was all about September and 2012 was all about Darin (and Maja Ivarsson), then undoubtedly 2011 was Laleh's year and this brought her massive post-show success into 2012. I'm not a fan of her music, but this was an absolutely cracking song with an incredible emotional narrative.

14.  "Shout It Out" - David Lindgren.

He may have looked like a bank clerk, but break-dancin' Dave proved to be a revelation in his Melodifestivalen debut.  "Shout It Out" has become one of the biggest radio hits in Sweden this year and I never tire of it.  The song and dance man also stole the show at Tomas Ledin’s Skansen summer special.  David can of course expect a rapturous reception when he returns to the Melodifestivalen stage in 2013, this time as a serious contender.  But will the song be as catchy and as good as this one?

13. "Euphoria" - Loreen.

The winner of the 2012 Eurovision Song Contest.  Loreen provided one of Eurovision's most iconic winning performances in years, although I still stand by my original comments that the song would not have done so well had it not been for her performance, the routine and the staging.  Nevertheless, the song still sounds fresh and vital, and a credible Eurovision winner for fans to be proud of.

12.  "Last Time" - Labrinth.

There are so many reasons why I should hate Labrinth: notably his link with Simon Cowell, and that beyond-annoying "Beneath Your Beautiful" song which takes The New Boring to a whole new level. This really shouldn’t even have got a sniff of my annual chart as it commits too many of my "musical sins" of the past few years; far too much auto-tune and vocoder nonsense, and basically he's just singing a load of place names, yet it crucially worked for me this year in a way that so many other tracks didn’t, for reasons I still can’t explain.

11.  "Sound Of Our Hearts" - Compact Disco.

It was only whilst compiling this chart that I forgot just how much I liked this.  And then I started playing it again. And again.  And again.  And then Compact Disco appeared on Albania's Festivali i Këngës last week and, well, that was it.  "Sound Of Our Hearts", this year's Hungarian Eurovision entry (in case you had forgotten - how could you?) is such a wonderful three minutes with an Eighties-influenced vibe, a song which is probably too good for Eurovision.  And then of course, there is Csaba :)

The 2012-50: No.30 - No.21

30.  "Somebody That I Used To Know" - Gotye featuring Kimbra.

Yet another of those 'technicalities', a song by an Aussie of Belgian origin, originally released in 2011 and hitting everywhere first and the UK last, so I'm including it here as it finally rolled into the UK top 30 singles chart in January and became a fixture on radio playlists for a big chunk of the year.  Quirky, original and different: after all, how many songs take their musical inspiration from Baa Baa Black Sheep?  (Don't answer that!).

29.  "You And I" - Minnie-Oh.

A terrific electro-pop number from this year's Norsk Melodi Grand Prix.  Maybe not the best ever vocal performance, but who could not love Minnie and her customised spiky puffa jacket?  This song was both ice-cool and delightfully warm at the same time, and completely likeable. Hurry up with some more musical greatness Minnie!

28.  "Sur Le Fil" - Jenifer.

The original Star Academy winner made her comeback just in time for our short break in France in September, where this got enough video music channel/radio airplay to completely eat its way into my brain and stay there for a long time.  Warning: video contains numerous costume changes.  And a plate of macarons. :))

27.  "Time" - Izabo.

So, what happened here then?  My favourite Israeli ESC entry in many a year, and it didn't get to the final.  Oh what the hell, I have rediscovered the song all over again whilst preparing my annual chart.  I don't really like this video but I still like the song though.

26. "Love Me" - Stooshe featuring Travie McCoy. 

Bloody ‘ell, Travie McCoy again. Unfortunately he crops up like a bad penny in what feels like every annual chart, ‘featuring’ on songs which otherwise floated my boat. Stooshe cemented their arrival in the UK and Europe with the retro-flavoured and rather good Black Heart, which narrowly missed out on my chart purely for reasons that everyone’s familiar with it, whereas this merits inclusion as it was their lesser known first hit and it managed to bring some cartoonish genuine fun to an otherwise generic, erm, genre.

25. "Gangnam Style" - Psy.

A little-known and somewhat obscure song which you probably have never heard of.  JUST KIDDING!!! You are probably all sick of it by now, the dance routines, the numerous parodies etc etc.  It doesn't have any great musical merit, but I'm not ashamed to say that I like "Gangnam Style" because it has brought some much-needed fun to some otherwise dark times.  And as one-hit wonders go, this'll probably be the biggest of them all: a billion views on YouTube and counting.  Oppan Gangnam Style!

24.  "My Own Worst Enemy" - Robert Pettersson featuring Helena Josefsson.

Fittingly for the theme song to what sounds like a Swedish equivalent of a James Bond-style film, this has all the drama of a Bond theme.  Give me this tune over that "Skyfall" snooze-fest anyday!  Robert is one of the best vocalists in Sweden right now, and his voice blends very well with Helena's.  For me this was one of the most underrated songs of the year.

23.  "The Boy Can Dance" - Afro-Dite.

10 years after they won Melodifestivalen with the disco-tastic "Never Let It Go" - one of my favourite MF winners ever, by the way - the ladies were shakin' shakin' their way back into the schlager consciousness with this catchy number.  However they didn't get to shake it all the way to Globen, missing out on qualification from a heat which included eventual winner Loreen.

22. "Stattu Upp" - Blar Opal.
Now here is an example of a song which, if I'm honest, annoyed me when it was in Songvakeppni (and I was too busy cheering on my boys Magni and Jonsi at the time) but it went on to become a favourite of mine over subsequent months.  It's basically Taio Cruz's "Dynamite" re-imagined by what appears to be a reassuringly amateurish boyband who eventually win you over with bags of enthusiasm. 

21. "Kuula" - Ott Lepland.
Ott was a stand-out at this year's Eurovision Song Contest in more ways than one (oo-er missus!!) but let's get our minds out of the gutter for a moment and focus on the music, shall we?  A beautiful ballad, brilliantly sung, and best of all, it sounded so lovely and lyrical in its native language, Estonian.  The song's reasonable success in the grand final proved that you don't need any of that translation-into-English rubbish for greatness to shine through.

Saturday, December 29, 2012

The 2012-50: No.40 - No.31

40. "Never Forget" - Gréta Salóme & Jónsi.

All of us with a Nordic knitwear obsession particularly loved that video clip :)  I thoroughly enjoyed the Songvakeppni 2012 experience although had mixed feelings regarding the result, as I was glad to see Greta and Jonsi win although I really wanted Magni to win.  In other words it's a win-win situation!  A delightful, dramatic epic number which was criminally under-appreciated by the televoters of Europe at the final in Baku.

39. "Avalon" - Professor Green featuring Sierra Kusterbeck. 

Another one of those 'technicalities' which was released in 2011 but only came to my attention this year thanks to its use in an advert, if I remember, for an energy drink.  Good rap manages to blend various musical genres and this rap/rock blend is a good example of that: think Eminem duetting with Evanescence and you get the idea.

38.  "When I Held Ya" - Moa Lignell.

In the long-established style of Swedish Idol, here's another one of its non-winning finalists who achieved success and a lot of radio airplay in her home country.  Moa is only 18 years old yet this song and its follow-up "Whatever They Do" indicated a great musical maturity beyond her years.

37.  "Rota" - Demet Akalin feat. Erdem Kinay.

A Turkish take on the electronic dance music theme.  This electro-dance stomper comes from one of faithful travelling companion's favourite Turkish female artists and I discovered it earlier in the year whilst doing some pre-holiday musical research.  It's a very catchy dance track which I never tire of.

36.  "Why Start A Fire" - Lisa Miskovsky. 

I'll admit that initially I didn't like this on first hearing, but it was such a grower that by the time we got to the final at Globen this classy pop song became one of my favourites and had considerable staying power for me long after the contest.   Co-written by a Norwegian songwriting team, including the lovely Aleksander With, by the way.

35. "Flytta på Dej!" - Alina Devecerski.

Terrifyingly catchy electro-pop tune from one of Sweden’s hottest pop discoveries of the year. Even if it was a bit too representative of the "EDM" generic sound of 2012, and that chavvy style was so not a good look, it stood out thanks to its slightly bonkers quality and that flytta-flytta-flytta-flytta hook.

34. "Rockstar" - Dappy featuring Brian May.

...And staying on the chavvy theme, firstly, I can’t stand Dappy, nor N-Dubz ("I Need You" excepted) and don’t even start me on that ex-bandmate of his who is now on that talent show panel (although not for much longer if there's any truth in the rumours). But reluctant credit on this one where it’s due: the lyrics may be completely corny, OK totally rubbish then, but my sanity has completely gone as I totally love the production on this, and the result is a rather good pop song.  (As indeed was "No Regrets" with that all-important key-change!)

33. "Nobody Knows" - Darin.

It's been a very good career move for him, appearing in the 3rd series of "Så mycket bättre" hasn't it!  As I write this, he continues to hold the top two positions in the Swedish iTunes singles chart with "En Apa Som Lika Dig" and "Astrologen" but let's rewind to earlier in the year for my 33rd favourite song of 2012.  Here he is at Allsång På Skansen with a triumphant summer performance.  It's a pity he probably won't be doing Melodifestivalen again as this song would have fitted in there very well.  Welcome back Darin!

32. "Don't You Worry Child" - Swedish House Mafia feat. John Martin.

The trio of Swedish superstar DJs decided to call it a day this year and what a way to go.  One of the year's top dance anthems which has just grown in stature over recent months and has completely grown on me over that time.  They may be going their separate ways, but one thing's for sure - there is much more to come from Axwell, Ingrosso and Angello.

31.  "Drive By" - Train.

Aah, good old Train.  They seem to have the knack of knocking out an international hit, like "Hey Soul Sister" and then disappear for a couple of years and then come back with yet another international hit, like the catchy-as-hell radio playlist staple "Drive By".  For some reason, people don't really want to have them around for longer than that big international hit.  Which is a bit of a shame really.

Wednesday, December 26, 2012

The 2012-50: No.50 - No.41

Finally it's here!  Firstly an introduction.  I'm doing my chart a little differently this year with 10 songs at a time, rather than the old two songs a day format.  

I've probably missed out on a lot of good new music this year, mainly due to the fact that I haven't really listened to much music at all.  So for that reason, the chart is only a reflection of what I listened to over the past 12 months.  As usual, the criteria is pretty random: there are songs which I was aware of in 2011 but for various reasons didn't make my chart last year so they qualify for this year's chart.  Likewise there are probably some songs kicking around at the moment which have missed out on this year's chart and may pop up next year, who knows?  

50. "Chasing The Sun" - The Wanted.

A summer anthem for the summer which we never had.  I haven't been totally satisfied by the musical career path which The Wanted have followed since "All Time Low" but this is, IMHO, their best track since that one and it's catchy as hell.

49. "Make It Better" - Tommy Fredvang.

One of my favourite songs in the Norsk Melodi Grand Prix this year, this was an uptempo number which deserved its place in the final.  Nothing particularly new or original about it, but an enjoyable pop song nonetheless.

48.  "This is Love" - featuring Eva Simons.

I feel slightly ashamed including this in my year-end chart as there are undoubtedly many better songs which missed out, but this was part of my walking-to-work soundtrack for a while and it did the job.  It's so addictive, annoyingly so, but it eventually wore me down. Say hell yeah!!

47. "Vart jag än går" - Stiftelsen.

One of Sweden's most distinctive vocalists, Robert Pettersson, took a break from his day job as Takida front man to form a side-project band called Stiftelsen, made up of old friends, and crucially  singing in Swedish.  Yes, that was one of the most significant Swedish musical trends for me this year: artists turning away from English to sing in their own language.  This was Stiftelsen's debut single and is a really nice change from the Takida-style. And it's not the last appearance from Mr Pettersson in my chart this year...

46.  "Take Our Hearts" - Jesper Nohrstedt.

Forget the abomination which won the 2012 DMGP - I can't even bring myself to mention it - and instead let's celebrate a couple of the songs which also featured in this year's contest.  This youngster produced a very catchy dance anthem and judging by this, he has a bright future ahead.

45. "Best Thing I Got" - Aya.

Written by the people behind Lena's "Satellite" (a good thing or a bad thing depending on your view) anyway this is a fine retro-pop song, which I can't help liking although I don't care much for her squeaky voice, and her styling at DMGP was horrific.  Reasons to love it: the chorus has the same chord structure as Steve Balsamo's "Sugar for the Soul" (released in 2002) which has an indescribable level of fabulousness so maybe that's why I like it.

44.  "Is This Love" - Aiden Grimshaw.

I really can't be bothered with X Factor winners or contestants, but it's a nice surprise when someone manages to escape the cover-version circus and release something new and remotely interesting.  So without any prejudice, thank you Mr Grimshaw and I hope that you will produce more music as good as this.  This song might have done better in my chart, but points were deducted for the "dubstep breakdown" :(

43. "Sweet Nothing" - Calvin Harris featuring Florence Welch.

Calvin has reached superstar DJ notoriety over the past year so can we now call him Scotland's answer to David Guetta?  I'll admit that I'm disappointed by this change in direction and would have preferred him singing his own material.  I like to judge a song on its own merits regardless of what I think of the artist: I'm no fan of Florence or her machine, "Spectrum" goes beyond irritating the life out of me but this is one seriously addictive tune.

42.  "Quelque Part" - Kenza Farah.

A song which caught my ear during our brief trip to Nice back in September.  A nice laid-back slice of French reggae-flavoured sun-soaked r'n'b which was the perfect soundtrack to the fine weather during that holiday!

41.  "Lyckligare Nu" - Linnea Henriksson.

I love her style and her attitude, and it particularly delighted me this year to see her having so much post-Idol success in Sweden Here's a clip of her performing the song on Allsång during the summer of 2012.

Thursday, December 06, 2012

The Square-Eyed Couch Potato - Bumper Bonanza Edition October-November 2012

I haven't really had time lately to post my monthly TV write-ups so I thought I would get the last two months out of the way before we hit the Christmas TV season.

Over the past few weeks, there has of course only been one story in town.  The "EXPOSURE" documentary (ITV1) uncovered a horrific catalogue of long-term sexual abuse perpetrated by Jimmy Savile over a number of years, which was shockingly covered up by all around him.  But the media loves nothing more than talking and writing about itself, and moved the focus away from the victims and focused on the "Newsnight scandal" - with events taking bizarre twists and turns and resulting in the resignation of the BBC's director general George Entwistle after just a few weeks in the job.

The whole Savile saga (and the unrelated arrest of Dave Lee Travis) has conveniently given the BBC an excuse to drop the archive "TOP OF THE POPS 1977" episodes which they presented, and it now looks as if the whole week-by-week archive series will be taken off our screens.  Would it really be so difficult to edit out the presenter links and show it, TOTP2 style, with a voiceover?  It's a real shame if it was to be axed: like many people from 'my generation' I've thoroughly enjoyed the 1976 and 1977 series, and even if you don't like all the music every week, you can't deny that the 1977 episodes have particularly been filled with the kind of musical diversity which is now long gone: everything from the Stranglers to The Dooleys! (remember them???).  They're blaming that good old ratings excuse, but I hardly think that 30 minutes on a Thursday night on BBC4 really makes much of a difference.  Save TOTP!!

Still on my favourite channel, we are currently in the midst of the final series of a TV phenomenon.  "THE KILLING III" is being shown in two-episode blocks over five weeks, and it will all soon be over, but Soren Sveistrup's decision to quit while they're ahead will ensure the show's place in telly immortality.  This time, the multi-stranded drama focuses on shipmate killings, the kidnapping of a shipping tycoon's daughter, and a Borgen-style election campaign.  The Danes are wonderful: they even make politics interesting!  (As ever, I'm behind with it all: I've seen three episodes so far but due to time constraints I'll probably keep the rest of it for a big festive-season catchup.  Or not.)  Don't like the chevron-jumper though.  I just hope that there is a nice happy ending for Sarah: but then, I think, don't be daft, this is The Killing we're talking about!  The show may be leaving our screens but I'll be in Lund-land for a long time yet, as Santa's bringing me the book-version of Series 1 and also The Killing Handbook which looks good fun :)  I'm planning to start book reviews on the blog next year and these may be among them.

Still in the Nordic parts, I enjoyed the offbeat, quirky and occasionally funny "LILYHAMMER" (BBC4) although I still can't decide what it was trying to be - a drama?  A comedy?  Both?  Still can't get that "My kind of town, Lillehammer is" out of my head.  A second series would be very welcome, although for some reason I can't see it happening.  

One long-awaited second series is nearing its end.  "HOMELAND" (Channel 4) was one of the biggest TV events of last year, so it was inevitable that Season 2 wouldn't be as mindblowing as the first.  It has had its moments though, but there have also been some dull episodes along the way.  Brody (why does everyone call him Brody, even his wife??) isn't just living a double life anymore, more of a quadruple one at the very least.

Another of the big annual TV events, "DOWNTON ABBEY" (ITV) was back for a third series, which was good, but dare I say it was also lacking something?  I just hope that series 4 - yes there will be one - will be the last.  It's beginning to look like a successful formula being milked dry.  Talking of which...

It's December now, which means it's pantomime season.  Oh no it isn't! Because panto starts in August, when the "X FACTOR" (ITV) hits our screens.  I choose not to watch it, but then you don't need to as the papers and the internet have been full of the fake drama, the "fixes", the animosity between the judges etc etc for months on end.  Apparently there is someone in it this year called Christopher Maloney, who is a "cruise ship crooner" and it would be the kiss of death for the show if he won....!  We should be that lucky.

Over on BBC1, "STRICTLY COME DANCING" has been beating X Factor in the ratings week after week, yet it hasn't been a vintage year by any means.  Ballerina Darcey "yah" Bussell has joined the panel but it's still all about Craig and his catchphrases (that was a disaaaaaa-ster daaaaaarling) and Bruno, who should really be tied down to his chair and his arms tied behind his back.  Brucie may be a TV legend but he's now way beyond his sell-by date and even needs an autocue to say "let's meet the stars of our show".  This year's chosen one is Denise Van Outen.  Yes she is a very good dancer, but does she not have the unfair advantage of someone who has appeared in stage musicals?  So therefore she is no stranger to choreography, am I right?  She is also paired with resident rebel James Jordan, who seems to have been kidnapped by aliens and replaced with a grovelling sycophant.  I was hoping for great things from Victoria Pendleton, who certainly looked the part, but unfortunately she had two left feet.  She's gone, as are Johnny Ball, Jerry Hall (poor Anton!) Fern Britton, Colin Salmon, Sid Owen, Richard Arnold, Michael Vaughan.

Which leaves Denise Van Outen, Lisa Riley, Nicky Byrne, Dani Harmer, Kimberley Walsh and Louis Smith.  I was no fan of Louis in the Olympics as I thought he was incredibly dour and po-faced, but once I learned that he was being paired with my favourite female dancer Flavia Cacace I decided that he would be my favourite this time round.  He has done very well too, although been unfairly undermarked on occasions by the judges.  The main problem with Louis is that he's another Harry Judd: a very good dancer but he doesn't seem to have much of a personality.  Oh wait....Newsflash: LOUIS HAS A PERSONALITY! That was the decision of the judges after his Charleston this week.  Now all he needs to do is develop those acting skills and get to the final.  I really want him to win for Flavia's sake, she really deserves to be on the winning team after all these years.  Oh, and on a completely shallow note, Louis and Nicky have brought some very welcome eye candy to the show this year :)

At last, we got a new Scottish TV programme which isn't all about boring old independence or the small-minded world of Scottish politics.  "BUSKERS" is on BBC Alba, a channel which I don't watch too much, save for the odd football match.  This is well worth watching, and indeed does what it says on the tin.  A programme about buskers in Glasgow and beyond is long overdue, although the busking scene seems a little more disappointing these days than it once was - it's just not the same without the robot dancer (now there's a serious blast from the past!)  However you can't deny that those Clanadonia boys, dressed like that in our climate, are seriously hardcore :)

Seeing how the other half live can be fascinating and more than a bit sickening at the same time.  But you can't beat a bit of escapism from time to time.  "RICHARD E GRANT'S HOTEL SECRETS" (Sky Atlantic) takes us to the grandest, most expensive hotels.  You really shouldn't enjoy this stuff, but you can't help yourself.

How sad I was, tuning into a live-streamed Apple conference on 23rd October, waiting for news of the new iPad mini.  Which turned out to be much more expensive than expected.  (I can't really understand why, but I still have this urge to get a tablet computer although it's in the 'want' rather than the 'need' category at this stage).

Let's go back a few weeks with some more love for the mighty BBC4.  And so it continues.   "THE BEST POSSIBLE TASTE" was the latest in a series of occasional drama-documentaries, and if reports are to be believed, it was the last one of its kind to be commissioned due to forthcoming cuts.  Kenny Everett was the subject this time, and what an excellently-acted show it was too.

The Friday night documentary slot on BBC Four is always appointment-to-view stuff. "SQUEEZE - TAKE ME I'M YOURS" was yet another highly recommended programme in the Friday night music documentary slot, and told the tale of the highs and lows of one of our most underrated bands, told by the key players themselves, Glenn Tilbrook and Chris Difford.  Most disturbing thing about this programme?  Glenn Tilbrook's beard.  Most distressing.  He's still got the voice though.  I remember seeing an Difford-less incarnation of Squeeze supporting Blondie at the Glasgow SECC a few years ago, and was very disappointed that we didn't get Cool for Cats. *chuckles at the memory*

"Bullets don't seem to have much of an effect on me, darlin!" gleefully declared JR Ewing in the 2012 reboot of "DALLAS" (Channel 5).  Now I'm not one for revivals or reboots, so it's all the more surprising that I've stuck with this, as it turned out to be strangely addictive viewing.  I won't spoil it for you if you have still to see it, but that was an amazing twist at the end of the series, which nicely connected the old and the new.  The next generation - John Ross and Christopher and their collective female partners - are a bit blandsville, but Larry Hagman stole every scene.  As you know, Larry Hagman sadly passed away a couple of weeks ago, but he will go down in TV history for playing the notorious 'love-to-hate' baddie, the iconic JR Ewing.  

For many, many years, before I started doing all that jetsetting stuff, Blackpool was almost like a second home as I holidayed there every year.  For that reason "999 - WHAT'S YOUR EMERGENCY" (Channel 4) became addictive viewing as we always enjoy any programmes about Blackpool.  However, these are now different times and I can't see this show getting a thumbs-up from the tourist office any time soon.  The programme focused on the stags, hens, drunks and low-lifes who now frequent the resort and most definitely didn't show the resort in a very good light.

The critics may not have loved "FOOL BRITANNIA" (ITV) but here at EuropeCrazy HQ we are firmly in the Dom-Joly-Can-Do-No-Wrong camp so you won't hear anything against it.  Although we will admit that it fell short of the glory days of Trigger Happy TV, and the Ian Yard character is nothing more than a rehash of Peter Kay's "Keith Lard" from Phoenix Nights.  That aside, it was rather refreshing to find something decent on ITV of a Saturday night, as the station seeks to fill the void left behind by the late lamented "TV Burp".

Talking of Mr Hill, we finally got round to watching "WHATEVER HAPPENED TO HARRY HILL?" (Channel 4) which was a hilarious mock-documentary looking back at Harry's 1990s C4 show and trying to reunite him with his co-stars.  I was late to the Harry Hill party, and didn't watch this show back then, only becoming a fan when I discovered Shark Infested Custard and then Burp.

Strangely enough I didn't think I was going to like "PAUL O'GRADY: FOR THE LOVE OF DOGS" (ITV) as a) I'm not nor have I ever been a dog owner and b) I got very tired of Mr O'Grady a long time ago.  So all the more surprising when I found myself being drawn back week after week to this series about Battersea Dogs Home.  Sometimes happy, sometimes sad, sometimes it had the "wow" factor, or should that be the bow-wow-wow factor??  I think this one could run and run.  At least it's not "The Lakes" or "The Dales"  indeed "Coached Off The Couch" the latter which could probably have run "The Nightshift" close for the title of STV's poorest excuse for filler.  Like, ever.

Oh balls!  The first series of the slightly absurd but extremely funny "MOONE BOY" (Sky 1) came to an end.  The good news is that there is more to come, and that my favourite Irishman (the wonderful Niall Breslin) will be making a guest appearance in one of the episodes.  Have decided that the fab and funny Chris O'Dowd is now my second favourite Irishman.  More please.

Ex-politician Michael Portillo in 'rather good TV show' shock?  Who knew?  "GREAT EUROPEAN RAILWAY JOURNEYS" (BBC2) is probably the kind of programme I would invent if I was a TV controller so it's right up my street.  Given Mr Portillo's political past, I was extremely sceptical about watching anything he was presenting, but I was willing to give him the benefit of the doubt and put my political views aside, to find out that he's quite an agreeable and enthusiastic presenter.

Another Michael, Mr Palin, was back on our screens with "BRAZIL WITH MICHAEL PALIN" (BBC1), which was ok, although for some reason I didn't really enjoy this as much as some of his previous travelogues.

There may not be so many travel shows on the mainstream TV channels these days, but the same can't be said for food shows.  They're everywhere and inescapable.  When food is combined with travel, now that's a must-see.  A couple of months ago we had Allegra McEvedy exploring Turkey and its cuisine, now we have top chef Yotam Ottolenghi doing his bit for Mediterranean food.  "OTTOLENGHI'S MEDITERRANEAN FEAST" (More 4) took us to a different country every week (including Turkey and Tunisia so far).  He's quite low-key and let the food speak for itself.