I had planned to post my year-end chart and FiK55 review this week, however I'm not feeling too well at the moment and will also be back at work between tomorrow and Friday, so won't really have much time to blog between now and the New Year weekend. Hoping to catch up with my overdue posts then!
Tuesday, December 27, 2016
Saturday, December 24, 2016
Merry Christmas!
Everyone aware of European customs will know that Christmas Eve is the main attraction and is a very special day indeed. For me Christmas Eve has always had a very special and magical feeling. So in time-honoured tradition, I would like to take the opportunity today to send best wishes to all the readers of this blog for a happy, peaceful and enjoyable festive season.
Today I finally got Netflix after promising myself that for a while, so I've been a bit of a couch potato today :)
On Boxing Day I will be publishing my annual year-end chart of my favourite songs of the year (as well as its 'flip side', the hate chart!).
Something which has become a major highlight of my festive season in recent years has been my favourite musical marathon, Festivali i Këngës. It was the epic grand final of Fest 55 last night, which was won by "Botë" sung by Lindita Halimi. I'll be posting my review of the three-night extravaganza over the next few days. In the meantime I'm off to get ready for a visit from Santa!
Sunday, December 11, 2016
The EuropeCrazy Holiday Hit List: Carcassonne September 2016
One last outstanding post from late summer before I turn my attention to the year-end chart.
Yes it's back! It's a long time since I've done one of these. The reason for that is mainly due to going on holiday and not having any music channels on TV, or programmes showing music clips.
"Cette Année-La" - M Pokora.
I'll admit that I was pretty shocked on seeing and hearing this video for the first time. Why? Well, for one thing, the blonde hair. Sorry Matt, but IMHO it's not a good look. Or is it maybe also a tribute to Claude François' famous blonde hair?
I also didn't expect to see Matt Pokora, one of France's coolest pop stars of recent years - for the uninitiated, think France's answer to Justin Timberlake - performing a cover version of the song best known in the English-speaking world as "Oh What A Night" as performed by Frankie Valli and the Four Seasons. In the parallel universe of French-language music, the song is better known as "Cette Année-La" as performed by French music legend Claude François, who tragically died in 1978.
But after some research it all became clear, because it was the first single from Matt's Claude François tribute album, which was released in October
This clip probably had the heaviest rotation of all during our short stay in Carcassonne. It's certainly a strange career move for Matt, who just a few years ago was working with Timbaland and his team, but credit to him for trying something different and acknowledging his French music roots. In case you didn't know, Claude François was one of France's most legendary singers and songwriters of his time: he wrote and recorded "Comme d'habitude" the original French version of the song later translated to English by Paul Anka and recorded by Frank Sinatra as..."My Way".
"Are We Awake" - Tal.
Another video which was on quite heavy rotation. I know that Tal's been quite a successful artist in France over the past few years. although I'm not familiar with her music. This is a nice easy-going pop/r'n'b number which, apart from its English title and the line "time to wake up right now" is in fact in French. I've been quite annoyed of late about the proliferation of the English language in French music, so I'm relieved that there's still plenty of native-language music around, even if a little English slips in here and there.
"On Dirait" - Amir.
Of course Amir used the bilingual approach very well on "J'ai cherche", France's 2016 ESC entry which achieved the country's best result in the contest in 14 years. Even more pleasant is that Amir seems to be making a successful career post-ESC. This follow-up single is equally as catchy and likeable as its predecessor.
Yes it's back! It's a long time since I've done one of these. The reason for that is mainly due to going on holiday and not having any music channels on TV, or programmes showing music clips.
However, on our holiday in September in Carcassonne, that wasn't a problem. Between the W9 and CStar channels, there were lots of current/recent music clips to choose from and even better, about 99% of them were by French artists or other artists outwith the usual loop of overplayed artists.
"Cette Année-La" - M Pokora.
I'll admit that I was pretty shocked on seeing and hearing this video for the first time. Why? Well, for one thing, the blonde hair. Sorry Matt, but IMHO it's not a good look. Or is it maybe also a tribute to Claude François' famous blonde hair?
I also didn't expect to see Matt Pokora, one of France's coolest pop stars of recent years - for the uninitiated, think France's answer to Justin Timberlake - performing a cover version of the song best known in the English-speaking world as "Oh What A Night" as performed by Frankie Valli and the Four Seasons. In the parallel universe of French-language music, the song is better known as "Cette Année-La" as performed by French music legend Claude François, who tragically died in 1978.
But after some research it all became clear, because it was the first single from Matt's Claude François tribute album, which was released in October
This clip probably had the heaviest rotation of all during our short stay in Carcassonne. It's certainly a strange career move for Matt, who just a few years ago was working with Timbaland and his team, but credit to him for trying something different and acknowledging his French music roots. In case you didn't know, Claude François was one of France's most legendary singers and songwriters of his time: he wrote and recorded "Comme d'habitude" the original French version of the song later translated to English by Paul Anka and recorded by Frank Sinatra as..."My Way".
"Are We Awake" - Tal.
Another video which was on quite heavy rotation. I know that Tal's been quite a successful artist in France over the past few years. although I'm not familiar with her music. This is a nice easy-going pop/r'n'b number which, apart from its English title and the line "time to wake up right now" is in fact in French. I've been quite annoyed of late about the proliferation of the English language in French music, so I'm relieved that there's still plenty of native-language music around, even if a little English slips in here and there.
"On Dirait" - Amir.
Of course Amir used the bilingual approach very well on "J'ai cherche", France's 2016 ESC entry which achieved the country's best result in the contest in 14 years. Even more pleasant is that Amir seems to be making a successful career post-ESC. This follow-up single is equally as catchy and likeable as its predecessor.
"Le Lac" - Julien Doré.
Unlike in the UK, where a talent show win doesn't guarantee a long career (with the occasional exception), some artists in France have won talent shows and gone on to have sustained success, whether it's Jenifer and Nolwenn Leroy (Star Academy), Kendji Girac and Frero Delavega (The Voice), and Christophe Willem and Julien Doré (Nouvelle Star - French Idol)
Julien has followed his very individual musical path. It's a quite epic video for "Le Lac" which is quite a laid-back and hypnotic song with soft, whispered vocals by the man himself.
"Lost On You" - LP.
Our holiday in Carcassonne introduced me to this song which has since gone on to become a very big hit in a number of European countries. In the earlier years of my blog I used to have my "Great Lost European Hit of The Year" award and this looks like being 2016's winner as so far, this has escaped the attention of the tiresome and stagnant UK singles chart.
LP is American singer/songwriter Laura Pergolizzi is no overnight sensation: she initially established her career as a songwriter for the likes of the Backstreet Boys, Erik Hassle, Rihanna and Christina Aguilera, but she is now finally achieving fame in her own right with this song from her 4th album.
"Vivre ou ne pas vivre" - Coeur de Pirate, Arthur H and Marc Lavoine
A combination of older and younger stars. Many of our earlier holidays in France in the late 90s and early 2000s were soundtracked by Marc Lavoine who has been a big star in France since the 1980s and still remains popular today. This is quite a haunting and hypnotic tune which grabbed my attention on the music video shows.
"Lost On You" - LP.
Our holiday in Carcassonne introduced me to this song which has since gone on to become a very big hit in a number of European countries. In the earlier years of my blog I used to have my "Great Lost European Hit of The Year" award and this looks like being 2016's winner as so far, this has escaped the attention of the tiresome and stagnant UK singles chart.
LP is American singer/songwriter Laura Pergolizzi is no overnight sensation: she initially established her career as a songwriter for the likes of the Backstreet Boys, Erik Hassle, Rihanna and Christina Aguilera, but she is now finally achieving fame in her own right with this song from her 4th album.
"Vivre ou ne pas vivre" - Coeur de Pirate, Arthur H and Marc Lavoine
A combination of older and younger stars. Many of our earlier holidays in France in the late 90s and early 2000s were soundtracked by Marc Lavoine who has been a big star in France since the 1980s and still remains popular today. This is quite a haunting and hypnotic tune which grabbed my attention on the music video shows.
Melodifestivalen 2017: surprise surprise!
Surprises can be thin on the ground in the Melfest bubble, particularly when most of the line-up is "exclusively revealed" by the Swedish tabloids in the weeks leading up to SVT's official presentation of the artists and song titles. However if you are a fan of the contest then at least some of your own predictions/speculation will probably be right.
I call it the Melfest bubble because over the past few years, most of the artists appearing in the contest have had no lasting success outwith the contest, so we shouldn't really be surprised by recent performers making a quick comeback or older established stars having one more shot. They're all guaranteed maximum Swedish media coverage and of course that all-important attention from the wider fan community.
The announcement of the 2017 Melodifestivalen artists on 30.11.2016 brought one genuine, almost-fell-off-my-seat surprise. Loreen? I mean, really, who expected that? Obviously no-one, as this completely slipped under the rumour-radar.
Loreen's "Euphoria" is one of the most iconic winners of the modern Eurovision era: in 2012 it blended song, performer, performance, choreography, lighting and staging in a way which had never been done at the Eurovision Song Contest before. It has become one of the most popular winners within the fan community. It redefined what we expect from "a Eurovision entry" and had a massive impact on the contest as a whole.
Bearing all that in mind, you'd wonder why Loreen wants to come back. But since 2012, she has not been able to build on her success. So perhaps we can understand why she wants to return to Melodifestivalen, although my own view is that we will inevitably be disappointed. She may surprise us though...!
At this stage, we don't know anything about the songs so we have to focus on the songwriters. Fredrik Kempe songs either for the first time in, is it, 10 years? I wonder if that's his punishment for going to work for the "other side" joining the judging panel on TV4's Idol?
The Debs-and-Anton have a much lower profile than in previous years, with only two songs in the 2017 contest. One songwriter who is definitely back in the Melfest fold is Thomas G:son, fresh from his success with Cyprus and Georgia in 2016. It will be very interesting to see what style of song he delivers in Melfest: will he return to the schlager which made his name, or will he stick with the pop-rock which has brought more recent success?
Heat 1: Gothenburg 04.02.2017
"Amare" - Adrijana
(Martin Tjärnberg, Adrijana Krasniqi)
"Her Kiss" - Boris René
(Tim Larsson, Tobias Lundgren)
"Hold On" - Nano
(Nano Omar, Gino Yonan, Ayak, Carl Rydén, Christoffer Belaieff, Rikard de Bruin, David Francis Jackson)
"Mitt Liv" - Charlotte Perrelli
(Charlotte Perrelli, Lars Hägglund)
"One More Night" - Dinah Nah
(Thomas G:son, Jimmy Jansson, Dinah Nah, Dr Alban)
"Road Trip" - De Vet Du
(Johan Gunterberg, Christopher Martland)
"Wild Child" - Ace Wilder
(Peter Boström, Thomas G:son, Ace Wilder)
Ace will be hoping it's third time lucky, but to avoid Melfest's law of diminishing returns, it will need to take a very special song and production to finally get her to ESC - or maybe she's going down the Sanna Nielsen route (make enough appearances and eventually Sweden will send you).
Glad to see Boris back after an enjoyable debut. There's also a welcome return for dance diva Dinah Nah, whilst Charlotte is back in "it's not schlager!" shock despite her schlagertastic interval act in 2016, and internet stars De Vet Du could be the new Samir and Viktor.
Don't know anything about new names Adrijana or Nano - they may surprise us although could be left on the sidelines of a heat where it's all about the name-recognition.
Heat 2: Malmö, 11.02.2017
"A Million Years" - Mariette
(Thomas G:son, Johanna Jansson, Peter Boström, Mariette Hansson, Jenny Hansson)
"Good Loovin'" - Benjamin Ingrosso
(Benjamin Ingrosso, Louis Schoorl, Matt Pardon)
"Hearts Align" - Dismissed
(Ola Salo, Peter Kvint)
"Himmel och Hav" - Roger Pontare
(Thomas G:son, Alexzandra Wickman)
"I Don't Give A" - Lisa Ajax
(Ola Svensson, Linnea Deb, Joy Deb, Anton Hård af Segerstad)
"Up" - Etzia
(Johnny Sanchez, Hanif Sabzevari, Simon Gribbe, Erica Haylett)
"Vart Haru Varit" - Allyawan
(Masse Salazar, Samuel Nazari)
This heat boasts the worst song title of the year: if you thought "Youniverse" was bad, don't even start me on "Good Loovin'"! Benjamin is the son of Melfest legend Pernilla Wahlgren so he will get a lot of attention in a heat with 3 new/unknown names as well as returning recent artists Lisa Ajax and Mariette. I think Lisa and Mariette will be a cert to qualify. Ola is back and it will be very interesting to see what his co-write with the Debs-and-Anton delivers.
The other big news in this heat is the return of Roger Pontare. Will he get a Hasse Andersson-style bounce and make it to the final or will he suffer the fate of "older" artists who have competed over the past couple of years and failed to make it?
With Ola Salo and Peter Kvint as songwriters, I'm particularly looking forward to the entry by Dismissed.
Heat 3: Vaxjö 18.02.2017
"Boogieman Blues" - Ove Thörnqvist
(Ove Thörnqvist)
"Crucified" - Bella and Filippa
(Peter Hägerås, Mats Frisell, Jakob Stadell, Filippa Frisell, Isabella Snihs)
"Gotta Thing" - The Fooo Conspiracy
(Robert ”Mutt” Lange, Tony Nilsson)
"Gravity" - Jasmine Kara
(Anderz Wrethov, Jasmine Kara)
"I Can't Go On" - Robin Bengtsson
(David Kreuger, Hamed ”K-One” Pirouzpanah, Robin Stjernberg)
"Kiss You Goodbye" - Anton Hagman
(Christian Fast, Tim Schou, Henrik Nordenback)
"Snurra Min Jord" - Krista Siegfrids
(Krista Siegfrids, Gustaf Svenungsson, Magnus Wallin, Gabriel Alares)
For me this heat is all about Robin and whether he will be able to follow up with something as good or better than "Constellation Prize", a song which went on to have a very long post-contest life as one of my favourite songs of the year - just how favourite you will soon find out in my 2016-50 chart to be published around Christmas week! This time round, 2013 Melfest winner Robin Stjernberg is among the songwriters so hoping for maximum Robin fabulousness :)
This heat will be a headline-grabber thanks to the appearance of Melfest's oldest ever artist, Ove Thörnqvist, and in contrast there will be a lot of attention given to the hugely popular young boyband The Fooo Conspiracy. There's some heavyweight songwriting talent here - "Mutt" Lange (ex-husband of Shania Twain) has been responsible for writing and/or producing a massive number of hit songs and albums over the years - https://en.wikipedia.org/wiki/Robert_John_%22Mutt%22_Lange whilst Tony Nilsson has written/co-written some Melfest classics in the last decade including "Love In Stereo", "The Queen", "Headlines", "You're Out Of My Life", "Like Suicide" and "Shout It Out".
Heat 3: Vaxjö 18.02.2017
"Boogieman Blues" - Ove Thörnqvist
(Ove Thörnqvist)
"Crucified" - Bella and Filippa
(Peter Hägerås, Mats Frisell, Jakob Stadell, Filippa Frisell, Isabella Snihs)
"Gotta Thing" - The Fooo Conspiracy
(Robert ”Mutt” Lange, Tony Nilsson)
"Gravity" - Jasmine Kara
(Anderz Wrethov, Jasmine Kara)
"I Can't Go On" - Robin Bengtsson
(David Kreuger, Hamed ”K-One” Pirouzpanah, Robin Stjernberg)
"Kiss You Goodbye" - Anton Hagman
(Christian Fast, Tim Schou, Henrik Nordenback)
"Snurra Min Jord" - Krista Siegfrids
(Krista Siegfrids, Gustaf Svenungsson, Magnus Wallin, Gabriel Alares)
For me this heat is all about Robin and whether he will be able to follow up with something as good or better than "Constellation Prize", a song which went on to have a very long post-contest life as one of my favourite songs of the year - just how favourite you will soon find out in my 2016-50 chart to be published around Christmas week! This time round, 2013 Melfest winner Robin Stjernberg is among the songwriters so hoping for maximum Robin fabulousness :)
This heat will be a headline-grabber thanks to the appearance of Melfest's oldest ever artist, Ove Thörnqvist, and in contrast there will be a lot of attention given to the hugely popular young boyband The Fooo Conspiracy. There's some heavyweight songwriting talent here - "Mutt" Lange (ex-husband of Shania Twain) has been responsible for writing and/or producing a massive number of hit songs and albums over the years - https://en.wikipedia.org/wiki/Robert_John_%22Mutt%22_Lange whilst Tony Nilsson has written/co-written some Melfest classics in the last decade including "Love In Stereo", "The Queen", "Headlines", "You're Out Of My Life", "Like Suicide" and "Shout It Out".
Krista returns in another attempt to boost her profile on the Swedish music scene. Watch out for young Swedish YouTube star Anton Hagman who could be the new..Anton Ewald! Tim Schou - yes, none other than the ex-lead singer of A Friend in London (DK, ESC 2011) is among the songwriters. If Anton taps into his key fanbase - Justin Bieber/Shawn Mendes fans - he will easily go direkt till
Friends.
Bella and Filippa could also be surprise qualifiers with their country-flavoured sound.
Heat 4: Skellefteå 25.02.2017
"As I Lay Me Down" - Wiktoria
(Justin Forrest, Jonas Wallin, Lauren Dyson)
"Bound To Fall" - Les Gordons
(Jonatan Renström, Albert Björliden, Andreas Persson, Carl Ragnemyr, David Runebjörk, Jimmy Jansson)
"Du får inte ändra på mig" - Sara Varga and Juha Mulari
(Sara Varga, Lars Hägglund)
"En värld full av strider" - Jon Henrik Fjällgren feat Aninia
(Jon Henrik Fjällgren, Sara Biglert, Christian Schneider, Andreas Hedlund)
"När ingen ser"- Axel Schylström
(Behshad Ashnai, Axel Schylström, David Strääf)
"Running With Lions" - Alice
(Anderz Wrethov, Andreas ”Stone” Johansson, Denniz Jamm, Alice Svensson)
"Statements" - Loreen
(Anton Hård af Segerstad, Joy Deb, Linnea Deb, Loreen)
Aah, heat 4, which over the past couple of years has been "the one with the winner in it". So I'm not surprised at all to see Wiktoria in this heat; it was inevitable that she would return quickly and there is definitely a whiff of "the chosen one" here. She has some competition here though: much will be expected of Loreen's song, whilst returning artists Sara and more recently, Jon Henrik have been Melfest finalists in recent years therefore they would also be in with a chance. Don't write off the Idol-effect though, as 2008 runner-up Alice Svensson (with a Wrethov co-write) and 2015 4th-placed Axel Schylström are also making their debut in what could be quite a hotly-contested final heat.
So who is going to win Melodifestivalen 2017? We will know the answer in March 2017, but in the meantime we will just get excited and speculate wildly until it all kicks off in just 8 weeks time!
The Square-Eyed Couch Potato: November 2016
Reboots, reunions, revamps, call them what you like - when it comes to TV shows, they don't always work. In my November TV review I'm focusing on two much-loved TV favourites who have made a comeback over the past couple of months.
Firstly I caught up with the revived series of "COLD FEET" (ITV) which recently returned to our screens with its 6th series, 13 years after it made an emotional farewell.
This show was a phenomenon when it arrived on TV in the 90s. But would it work in the 21st century? The answer is a definite yes. It is of course a testament to the quality of the writing and acting on this show, that it was no time before it felt like they had never been away. And one very important thing hadn't changed - David remains one of the most irritating characters I can remember in a TV drama.
Cold Feet deserves the praise though - it's warm-hearted, funny and sad, mixing light-hearted and serious issues, but in the end it's just a lightweight, soapy relationship drama - an everyday story of Mancunian middle-class folk. After the show's success with the critics and viewers alike, it wasn't too surprising to learn that the series has been renewed for another series on ITV.
However, contrast this with the rather shabby treatment by ITV of another lightweight drama series which also enjoyed ratings success over this summer. Things were looking good for "Brief Encounters" after a successful first series. so it was expected that the 80s-set story of Ann Summers reps could be returning for a second series. However, ITV announced that they would not be recommissioning the show. Like Cold Feet, it's a lightweight, soapy drama about relationships, and family, and it's also set "up north". But the characters in "Brief Encounters" are more working-class, more "ordinary" than the reasonably affluent protagonists of "Cold Feet", and the series has not been given the chance to develop characters and storylines to the extent that "Cold Feet" was able to do over several series. This to me says a lot about the television executives who dictate what appears on our TV screens.
One final mention of "Cold Feet" for a moment - and a very familiar face turned up in the final episode. None other than Sanjeev Kohli, best known as the hilarious shopkeeper Navid, one of the best characters in "Still Game".
Which brings me on to the 7th series of a Scottish comedy institution. "STILL GAME" (BBC1). The main characters, Jack and Victor, initially appeared in that other Scottish comedy institution, "Chewin' The Fat", before being given their own spin-off which ran for six series before Greg Hemphill and Ford Kiernan ended their partnership somewhat acrimoniously.
But time of course is a great healer and the consistent popularity of what is (in this part of the world) a very relatable comedy meant that the calls for a reunion just kept on coming, whilst we were all wearing out our copies of the DVD series 1-6 box set). Eventually the gang reunited for a series of sell-out live shows at the SSE Hydro arena in Glasgow in 2014. This was recorded live and televised by BBC Scotland however if I'm honest, I found it a huge disappointment watching it on TV. I guess you had to be there. What couldn't be argued was that there was still a massive appetite for this show, so it was great news when a long-awaited new series was announced.
Something else happened on the way to series 7: the show reached a much wider audience via Netflix. Anyway, was the new series worth waiting for? Well, yes, I would say, although there has been some criticism but I think that may be down to the burden of expectation which would inevitably result in disappointment.
Particular highlights for me were Isa's talking dog (episode 1), new arrival Methadone Mick's dental treatment and job interview (episode 3) and my favourite episode of this series, episode 5, when Jack and Victor tried some dog-sitting with Zeus and Onion and traded some "History Today"-style insults:
"Your dug needs a gastric band!"
"Your dug's an a***hole!"
The series ended on a slightly disappointing note for me but on the whole I didn't think the series was as bad as some people made out. It looks as if this will be the final series as there will be another series of live dates in 2017 - which will not be filmed, and the title of the shows is "Bon Voyage" which suggests something quite final.
A quick mention for the latest instalment of "THE PEOPLE'S HISTORY OF POP" (BBC4) which covered the decade 1986 to 1996. It was Lauren Laverne's turn to take us from Depeche Mode to the rave scene, the Hacienda, Take That, Blur and the Spice Girls. A particularly poignant end to the show featuring Craig Gill, the Inspiral Carpets drummer, and his memories of Oasis. Craig passed away in the week the show was aired; one of far, far too many losses to the music world in this hellish year.
I'm still struggling to get through the TV backlog - haven't seen series 2 of "Humans" or "The Code" yet whilst I'm slowly working my way through series 2 of "30 Degrees In February" and will review that in my December post. And despite promising myself Netflix in November, well that still hasn't happened!
Sunday, November 27, 2016
UMK 2017 songs: first listen
A few days ago the line-up of finalists for UMK 2017, the Finnish national selection for Eurovision, was announced. Today I listened to the songs for the first time. Here are my thoughts.
Arrows - Alva
This is a pleasant and reasonably contemporary pop song although it has a rather bland and generic feel. The "arrows, arrows, arrows" hookline is memorable enough but this song is lacking that something extra to appeal to the voters.
Blackbird - Norma John
I'm not a fan of ballads at all, but for me this is the standout of the national selection and could have the best chance of getting Finland a decent result at ESC. This song's slow brooding drama immediately made me think of something which would turn up in Norway's MGP - and I mean that as a compliment. Norma has a beautiful voice too. If they get the staging right, this could do very, very well.
Caveman - Knucklebone Oscar and The Shangri-La Rubies
UMK certainly brings a bit of diversity every year but in 2017 there seem to be more novelty/joke entries than should really be necessary in a national final. This isn't so much a song as a messy mishmash of ideas and will probably need to lean on significant staging to give it any chance. It sounds like a leftover song from an axed musical and has no redeeming features for me at all.
Circle of Light - Emma
For me this is immediately drawing a comparison with "Hear Them Calling" and I'm visualising similar staging with added wolves (!) This would make a very predictable and safe winner and it's all just too "been there done that" for me. It's not the worst song I've ever heard but it's totally lacking in originality and brings nothing new to the table.
Helppo elämä - Lauri Yrjölä
Hooray! A native language song - the only one in the national final. The title means "Easy Life" and it goes from a "Hey Brother"-styled beginning to a chorus with some serious dance beats. I quite liked this on first listen, I know it doesn't really have a chance in the contest but I'm glad it's there.
Love Yourself - Gunther and D'Sanz
Yes, that Gunther, sleazy old Gunther of Ding Dong Song and Like Fire Tonight fame is back, back, back. And he's crossed the border into Finland!
Love Yourself, eh? This isn't Justin Bieber's worldwide mega-hit ballad, but instead it quickly makes its intentions very clear. This song appears to be an ode to, erm, "touching your tra-la-la" and the chorus takes it into Eurodance banger territory. It did make me smile, I have to admit!
Paradise - My First Band
This is just a bad, bad parody of an r'n'b pop song. "I wanna see you satisfied/let me kiss your paradise"? Goodness gracious. No thanks. Perhaps I might have liked this better if the lyrics weren't so hideous.
Reach Out For The Sun - Anni Saikku
It boasts the kind of empowering "you can do it!" lyrics which turn up in numerous national final songs every year. My main problem with this song is that it's desperately needing a big old dance remix. The sentiment of the song deserves something more uptempo than the sea of blandness which it's sailing on.
My Little World - Club La Persé
All together now..."I just love my little world, I don't need no new sensations..." oh wait. It's not that one. What's with rehashing song titles in this year's UMK? 31 years after Waterloo and Robinson brought us that cheesy tune, Club La Persé will bring something completely different to the Finnish national selection. Visually this collective is, well, let's just say, interesting. I like the beat and the retro-dance feel of the chorus but the whole thing is a bit of a waste. Another "novelty" song.
Perfect Villain - Zühlke
When I saw her picture I was immediately reminded of Nina Soderquist in Melodifestivalen 2009. Zühlke could be just as fierce. This modern, mid-tempo number has the potential to do quite well, and the song's chorus starts with "what would the X-Men do?". What would the voters do? What would Brian Boitano do? (sorry). I think this could do well.
All in all, on first listen I found this selection of national final songs to be disappointing. Was that the best Finland could do? You always expect something better (see what I did there!) and at least something different/unusual from a Finnish national final: but 2017 is more different/unusual in a bad way rather than a good way. Maybe a few more listens will change my mind - or maybe not?
My preferred winner would be "Blackbird" as I feel it would give Finland the best chance at ESC. I guess it's between Emma, Zühlke and Norma John, although in recent years UMK has given us some surprising results so anything can happen!
The UMK final takes place on 28 January 2017 - yes, just one national final, no semi-finals this time round - and it will be hosted by Krista Siegfrids.
Arrows - Alva
This is a pleasant and reasonably contemporary pop song although it has a rather bland and generic feel. The "arrows, arrows, arrows" hookline is memorable enough but this song is lacking that something extra to appeal to the voters.
Blackbird - Norma John
I'm not a fan of ballads at all, but for me this is the standout of the national selection and could have the best chance of getting Finland a decent result at ESC. This song's slow brooding drama immediately made me think of something which would turn up in Norway's MGP - and I mean that as a compliment. Norma has a beautiful voice too. If they get the staging right, this could do very, very well.
Caveman - Knucklebone Oscar and The Shangri-La Rubies
UMK certainly brings a bit of diversity every year but in 2017 there seem to be more novelty/joke entries than should really be necessary in a national final. This isn't so much a song as a messy mishmash of ideas and will probably need to lean on significant staging to give it any chance. It sounds like a leftover song from an axed musical and has no redeeming features for me at all.
Circle of Light - Emma
For me this is immediately drawing a comparison with "Hear Them Calling" and I'm visualising similar staging with added wolves (!) This would make a very predictable and safe winner and it's all just too "been there done that" for me. It's not the worst song I've ever heard but it's totally lacking in originality and brings nothing new to the table.
Helppo elämä - Lauri Yrjölä
Hooray! A native language song - the only one in the national final. The title means "Easy Life" and it goes from a "Hey Brother"-styled beginning to a chorus with some serious dance beats. I quite liked this on first listen, I know it doesn't really have a chance in the contest but I'm glad it's there.
Love Yourself - Gunther and D'Sanz
Yes, that Gunther, sleazy old Gunther of Ding Dong Song and Like Fire Tonight fame is back, back, back. And he's crossed the border into Finland!
Love Yourself, eh? This isn't Justin Bieber's worldwide mega-hit ballad, but instead it quickly makes its intentions very clear. This song appears to be an ode to, erm, "touching your tra-la-la" and the chorus takes it into Eurodance banger territory. It did make me smile, I have to admit!
Paradise - My First Band
This is just a bad, bad parody of an r'n'b pop song. "I wanna see you satisfied/let me kiss your paradise"? Goodness gracious. No thanks. Perhaps I might have liked this better if the lyrics weren't so hideous.
Reach Out For The Sun - Anni Saikku
It boasts the kind of empowering "you can do it!" lyrics which turn up in numerous national final songs every year. My main problem with this song is that it's desperately needing a big old dance remix. The sentiment of the song deserves something more uptempo than the sea of blandness which it's sailing on.
My Little World - Club La Persé
All together now..."I just love my little world, I don't need no new sensations..." oh wait. It's not that one. What's with rehashing song titles in this year's UMK? 31 years after Waterloo and Robinson brought us that cheesy tune, Club La Persé will bring something completely different to the Finnish national selection. Visually this collective is, well, let's just say, interesting. I like the beat and the retro-dance feel of the chorus but the whole thing is a bit of a waste. Another "novelty" song.
Perfect Villain - Zühlke
When I saw her picture I was immediately reminded of Nina Soderquist in Melodifestivalen 2009. Zühlke could be just as fierce. This modern, mid-tempo number has the potential to do quite well, and the song's chorus starts with "what would the X-Men do?". What would the voters do? What would Brian Boitano do? (sorry). I think this could do well.
All in all, on first listen I found this selection of national final songs to be disappointing. Was that the best Finland could do? You always expect something better (see what I did there!) and at least something different/unusual from a Finnish national final: but 2017 is more different/unusual in a bad way rather than a good way. Maybe a few more listens will change my mind - or maybe not?
My preferred winner would be "Blackbird" as I feel it would give Finland the best chance at ESC. I guess it's between Emma, Zühlke and Norma John, although in recent years UMK has given us some surprising results so anything can happen!
The UMK final takes place on 28 January 2017 - yes, just one national final, no semi-finals this time round - and it will be hosted by Krista Siegfrids.
Tuesday, November 22, 2016
The Carcassonne Diaries: Day 4 - Saturday 24 September 2016
It's our last morning in beautiful, hot Carcassonne. Which means last minute packing accompanied by music videos on TV. Well, look who it is!
Yes it's none other than Måns Zelmerlöw, who's had a big hit in the French singles chart over the summer with "Je ne suis qu'un homme", the French-language version of "Should've Gone Home". His video has had quite a lot of airplay over the past couple of days.
Ad break! If you're in need of a French advertising equivalent of "compare the meerkat" then may I introduce Les Furets.
But I don't have time to spend all day watching TV, because we have to reluctantly leave our hotel and grab a quick breakfast before heading to the airport.
Inevitably we are back on Place Marcou yet again. We're just keeping it simple today: a coffee and a croissant.
One last look at Place Marcou...
And of course we can't leave the Cité without a last look at the Chateau. Due to our short stay we didn't have time to go inside the Chateau for a full tour. Again this is something for a future visit as we definitely want to come back again, all being well.
The airport bus leaves from where it arrived, near Porte Narbonne. After a short journey completely bypassing the new city, we arrive at the airport. Small in size, and equally small on facilities (unless you like salad boxes - which we don't!). These small airports do have their advantages as well as disadvantages though, as certain "low fares airlines" choose them and therefore enable us to travel to places which would otherwise be overlooked.
Carcassonne is a magical place and a destination which we would absolutely recommend. On a more personal level, it was the right place at the right time and if you are looking for a beautiful city break destination which is a break from the norm, but with a definite historical flavour, then Carcassonne is the place to be. Just remember to pack the comfortable footwear.....!
The Carcassonne Diaries: Day 3 - Friday 23 September 2016
As we're only on a short break, this will be our last full day in Carcassonne. So today we will be buying some last-minute souvenirs, and catching up with some unfinished business. But first, breakfast. Which means very large croissants.
Yes, they were good.
Given the medieval history of Carcassonne, you won't be surprised to learn that many of the gift shops/souvenir shops specialise in medieval merchandise - from full-size suits of armour to chain mail helmets to big replica swords.
For this blogger however, toy cows > all of the above. Meet Joyce.
Joyce is named after faithful travelling companion's recent favourite French singer Joyce Jonathan by the way!
But let's get back to darker, medieval times, as portrayed in not one but two small museums within the Cité. One ticket covers two museums, The Museum of the Inquisition and the Museum of Torture take us back through history, to medieval times and the numerous methods of punishment from those days.
Photography of the vile and gruesome exhibits is banned (which is maybe just as well, as they are so stomach-churning!) however the museum is certainly thought-provoking about the evil which the human race is capable of.
On to something a lot more pleasant now. We had taken the public transport version of the 'petit train' yesterday, and had planned to do the tourist version of it today. But on our way we discover this delightful duo.
Confession time: In all our years of travelling to all those wonderful places, we've never done a horse and carriage ride. Until today, when we take a tour around the perimeter of the citadel. There is also an extremely funny moment during the journey when one of the horses breaks wind. Very loudly. Which greatly appears to our collective senses of humour :D
Just one more mention about the cobbles - I wouldn't recommend that you walk around the Cité in high heels. Comfortable footwear is essential when you're dealing with this...
Some more souvenir shopping this afternoon. I purchase a couple of tapestries (which 2 months later are now framed and hanging on my living room wall) as well as a tablecloth and the usual postcards.
The sadness is beginning to descend as daytime turns into night-time and we get ready for our last night in Carcassonne. It's another beautiful, warm night and we eat our meal outdoors in the shadow of the Chateau.
Just as sangria turned up on many a drinks menu, the proximity of Carcassonne to the Spanish border means one more Spanish culinary treat, gazpacho. However, views vary from restaurant to restaurant about whether the cold soup is still in season in mid to late September. The answer tonight is = it's still in season!
After an enjoyable meal, time for a last look at the Cité. It's Friday night, but the place isn't exactly jumping and it's early closing again. We then however discover this place. Behind the walls is a "secret garden", and it's a hip and happening outdoor bar with dance music pumping through the speakers and a distinctly youthful clientele. Not the kind of place we would normally hang out, but a) we're on holiday, b) it's the last night of our holiday, and c) I want one last sangria. So thank you, Le Bar a Vins.
Tomorrow: we leave Carcassonne.
The Carcassonne Diaries: Day 2 - Thursday 22 September 2016
Our first full day in Carcassonne. Of course when in France, I always go in search of music videos on TV. But things have changed and I can't find any on M6 any more. Happily, I quickly discover CStar which would keep me happy for the duration of the holiday and that also means I'll be able to do another "holiday hit list" post which I haven't done for a while (this will follow after I've published all my holiday diaries),
It's another bright, sunny and hot day inside the Cité. We head back to the Place Marcou for breakfast as we are only staying 'room only' in our hotel. Needless to say, when in France we have to go for the traditional French breakfast. There are plenty of brekkie "formules" available in all the restaurants but these are only served up to 11.00am.
Shopping in the Cité seems to mainly focus on small independent craft shops and souvenir shops, as well as upmarket gift shops selling the region's local specialities such as this one below.
For more conventional shopping, you need to head downhill to the "new city". For the moment though we are exploring the citadel in daylight, in more detail. Yet again the place is packed with tourists - Carcassonne is definitely a daytime tourist destination. It's no wonder it's so popular though as the sights are quite breathtaking.
After exploring the perimeter of the citadel, we make our way back to Place Marcou for lunch. Before coming to Carcassonne I was a bit worried that there would be very limited options for people who don't eat red meat or fish, but I needn't have worried. Although Carcassonne is the capital of Cassoulet, there would be plenty of options after all. Today I have this tasty tagliatelle (pictured below) for lunch. We notice that the people at the next table are having cassoulet, which is a stew with a great big duck leg on top.
The weather is now very hot. Our plan for the afternoon is to walk down to Pont Vieux and make our way into the old city. Before that though we have an unscheduled stop off at a little place hidden away on Rue Trivalle, to get out of the baking heat for a while.
We're not really into visiting military museums, but made an exception for the Centre Culturel de la Memoire Combattante (above). It's a small museum on two floors, full of exhibits, uniforms and memorabilia from France's involvement in military campaigns over the last century. The information captions are in French but happily our understanding of written French is good enough. The first floor is mainly given over to World War 2 and the French resistance. One section is particularly distressing as it displays letters from people from Carcassonne who died in the concentration camps.
There are also displays about more recent French operations e.g. peacekeeping in Bosnia-Herzegovina. This museum is very interesting and thought-provoking. Entrance is free but donations are accepted.
Time to head for the new city. We cross the Pont Vieux.
You get a great view of the Cité from the Pont Vieux.
In the other direction is the Pont Neuf.
It's quite a long walk from the Cité to the new city, so we've planned to get the 'petit train' back up the hill. Transport is not very regular between the old and new cities so make sure you check your timetables.
At the bottom of the hill, you'll find more conventional shops in the town. There are also some nice sights too.
We can't hang around too long though or we'll miss our petit train, and in this heat the alternative (walking back uphill) isn't an option! We won't have time to explore the canal area or take the boat trip, so that's something for a return trip. What we see of the new city is nice, although the Cité is such a special place that there's no competition.
More big decisions to be made tonight about where to eat, as there are so many possibilities. Faithful travelling companion wants to try cassoulet. There are several different versions of this dish. No massive duck leg in sight tonight, because it's all about the sausage (oo-er missus!!)
It's another bright, sunny and hot day inside the Cité. We head back to the Place Marcou for breakfast as we are only staying 'room only' in our hotel. Needless to say, when in France we have to go for the traditional French breakfast. There are plenty of brekkie "formules" available in all the restaurants but these are only served up to 11.00am.
Shopping in the Cité seems to mainly focus on small independent craft shops and souvenir shops, as well as upmarket gift shops selling the region's local specialities such as this one below.
For more conventional shopping, you need to head downhill to the "new city". For the moment though we are exploring the citadel in daylight, in more detail. Yet again the place is packed with tourists - Carcassonne is definitely a daytime tourist destination. It's no wonder it's so popular though as the sights are quite breathtaking.
After exploring the perimeter of the citadel, we make our way back to Place Marcou for lunch. Before coming to Carcassonne I was a bit worried that there would be very limited options for people who don't eat red meat or fish, but I needn't have worried. Although Carcassonne is the capital of Cassoulet, there would be plenty of options after all. Today I have this tasty tagliatelle (pictured below) for lunch. We notice that the people at the next table are having cassoulet, which is a stew with a great big duck leg on top.
The weather is now very hot. Our plan for the afternoon is to walk down to Pont Vieux and make our way into the old city. Before that though we have an unscheduled stop off at a little place hidden away on Rue Trivalle, to get out of the baking heat for a while.
We're not really into visiting military museums, but made an exception for the Centre Culturel de la Memoire Combattante (above). It's a small museum on two floors, full of exhibits, uniforms and memorabilia from France's involvement in military campaigns over the last century. The information captions are in French but happily our understanding of written French is good enough. The first floor is mainly given over to World War 2 and the French resistance. One section is particularly distressing as it displays letters from people from Carcassonne who died in the concentration camps.
There are also displays about more recent French operations e.g. peacekeeping in Bosnia-Herzegovina. This museum is very interesting and thought-provoking. Entrance is free but donations are accepted.
Time to head for the new city. We cross the Pont Vieux.
You get a great view of the Cité from the Pont Vieux.
In the other direction is the Pont Neuf.
It's quite a long walk from the Cité to the new city, so we've planned to get the 'petit train' back up the hill. Transport is not very regular between the old and new cities so make sure you check your timetables.
At the bottom of the hill, you'll find more conventional shops in the town. There are also some nice sights too.
We can't hang around too long though or we'll miss our petit train, and in this heat the alternative (walking back uphill) isn't an option! We won't have time to explore the canal area or take the boat trip, so that's something for a return trip. What we see of the new city is nice, although the Cité is such a special place that there's no competition.
More big decisions to be made tonight about where to eat, as there are so many possibilities. Faithful travelling companion wants to try cassoulet. There are several different versions of this dish. No massive duck leg in sight tonight, because it's all about the sausage (oo-er missus!!)
As for me, I go for the menu's veggie option. We have another lovely evening out, and just like last night, we end up at Place Marcou just before closing time.
I previously mentioned that Carcassonne by night is a very different, and much quieter place than it is by day. By night, it's certainly as photogenic.
In the next instalment: our last full day in Carcassonne.
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